When it comes down to it, everyone must compromise: Sanjeev needs to either accept Twinkles new found fascination with Christian paraphernalia or suggest a compromising situation in order for their marriage to work out. The narrator in The Yellow Wallpaper and her husband needed to find a room that suited both peoples aesthetic. In order to create a "room of one's own" each person strives to reach his or her own personal aesthetic, but realistically this is not practical. The Unity Temple stands as an example of many compromises. Think about how many compromises you made today? Let's see, for me I have about 5 (finish my math homework/ watch a show, eat a cookie/ go for a longer run, go to half the basketball game/ be on time for work.... the list goes on). If I could have everything my way I would have stayed for the whole basketball game. But if I wasn't at work, people would n
Wednesday, March 25, 2009
Personal Aesthetic
When it comes down to it, everyone must compromise: Sanjeev needs to either accept Twinkles new found fascination with Christian paraphernalia or suggest a compromising situation in order for their marriage to work out. The narrator in The Yellow Wallpaper and her husband needed to find a room that suited both peoples aesthetic. In order to create a "room of one's own" each person strives to reach his or her own personal aesthetic, but realistically this is not practical. The Unity Temple stands as an example of many compromises. Think about how many compromises you made today? Let's see, for me I have about 5 (finish my math homework/ watch a show, eat a cookie/ go for a longer run, go to half the basketball game/ be on time for work.... the list goes on). If I could have everything my way I would have stayed for the whole basketball game. But if I wasn't at work, people would n
Wednesday, March 18, 2009
Communication Under the Same Roof
Within "This Blessed House," the characters of Sanjeev and Twinkle quickly get married and begin living together under the same roof. Their love for one another comes across as questionable and their opposite mannorisms and attitudes become clear. Sanjeev has more of a serious attitude and heavily relies on other peoples' opinions. But Twinkle, on the other hand, is livelier and she seems to always look on the bright side of things. While cleaning the new home, Twinkle finds a vinegar bottle with Christ's figure and proudly places it on the undusted mantel. As the process continues, other tacky Christian figures emerge and are placed on the mantel as well. Sanjeev becomes quite irritated by these icons while Twinkle is continually intrigued by them and consciously looks to find more. As I was reading, I was thinking of insignificant mannerisms that people I have lived with do that have irritated me over the years and how I have handled the situation... Does your roommate always keep the shades closed or place her stick bottle on your dresser? Did your brother always slam his door at night? Did your mom chew gum loudly in the car? And did you ever mention that it annoyed you? For me, I related to Sanjeev because he rarely voices these irritations. As insignificant as the act may be, it often begins to build up to something that does not need to be. The key to sharing space with someone is open communication, something that Twinkle and Sanjeev are clearly lacking.
Wednesday, March 4, 2009
yoo-nuh-vur-suhl?
The question arose in class whether or not we believe Shakespeare's work is universal?? While taking notes during the film "O," I felt like I was writing a brief summary of the plot of Othello... When I was first asked this question I was unsure of how to answer it, so I turned to my trusty friend Mr. Dictionary- he told me that UNIVERSAL mean:
* "applicable everywhere" (yes)
# "affecting, concerning, or involving all" (yes)
+ "used or understood by all" (not necessarily his language used in his text but the drama- yes)
= "present everywhere" (yes)
So after responding yes to each of these definitions, I realized how universal Shakespeare's work really is. By work, I am not just referring to his actual text but rather on a broader level: his drama and plot. Everyone can watch a movie such as "O" and relate to it in some way. We understand feelings of anger, jealousy, love, trust, and hurt because they are uncontrollable human reactions to ordinary situations. What Shakespeare does is pick and pull at universal human emotions, capturing his timeless audience into the plot. This plot can be represented in millions of different ways, but it is and always will be understood.
/ˌyu
nəˈvɜr
səl/
Show Spelled Pronunciation
* "applicable everywhere" (yes)
# "affecting, concerning, or involving all" (yes)
+ "used or understood by all" (not necessarily his language used in his text but the drama- yes)
= "present everywhere" (yes)
So after responding yes to each of these definitions, I realized how universal Shakespeare's work really is. By work, I am not just referring to his actual text but rather on a broader level: his drama and plot. Everyone can watch a movie such as "O" and relate to it in some way. We understand feelings of anger, jealousy, love, trust, and hurt because they are uncontrollable human reactions to ordinary situations. What Shakespeare does is pick and pull at universal human emotions, capturing his timeless audience into the plot. This plot can be represented in millions of different ways, but it is and always will be understood.
/ˌyu
Wednesday, February 25, 2009
LIGHTS... CAMERA... ACTION!
Camera angle, lighting, music, color pallet, and character placement are all things that are very interesting to me. Some people overlook these elements in a film or a play but these "insignificant" features are what really emphasizes the point of a particular scene. To me, being a director seems like it could be so much fun! Being in that authoritative position where you can decide how you want a scene to be portrayed to the audience is really an awesome thing entailing so many decisions. In a way, it could be considered brainwashing because YOUR vision of a particular scene is what is being shown to thousands of people. Reading and viewing Othello are two completely different experiences, but I was definitely glad that I read it first. By reading Shakespeare's work first I was able to visualize how the various scenes were played out rather than be shown/ told how another person interpreted that same scene. Though I did enjoy watching different interpretations of the same text, if I were a director, things would have been different.... but I am not... yet, at least.
Wednesday, February 18, 2009
Manipulation
Doesn't it just make you cringe when you (as an audience or a reader) can see the horrors that are going on while the characters are completely oblivious as to how they are being manipulated? If someone was observing my facial expressions while I was reading Othello, I am sure they would have had a good laugh! Each time Iago so smoothly used his words to set up his whole master plan, my hatred grew for his character. Iago created mass amounts of suspicion and havoc to almost everyone he came in contact with. This was not the first time I had similar feeling for a character, and I am sure it will not be my last. Let's take for example the character of Galinda in Wicked, this "sweet, innocent girl" manipulates those around her in an attempt to land the man of her dreams. In my mythology course last semester, I read Medea by Euripides. The character of Medea had similar devious manorisms as Iago. Both took total advantage of those around them in an attempt to attain personal satisfaction. For Medea that personal satisfaction was revenge and Iago longed for revenge but also to move up in the rankings. How can someone be so selfish to literally destroy and end the lives of those they are trying to get "one up on?" Medea ends up fleeing in a chariot with her dead children and no place to call "home," all with a smile and no glimpse of remorse. As Iago is taken away in Act 5 to become a tortured slave, he too shows no sign of remorse... how is this possible? Euripides, Winnie Holzman, and Shakespeare do a wonderful job of evolving characters with a good "reputation" to be villains and manipulators!
Here are the facial expressions of boldface, backstabbing, liars.... would you fall for their games?



Galinda, Iago, Medea
Here are the facial expressions of boldface, backstabbing, liars.... would you fall for their games?
Galinda, Iago, Medea
Tuesday, February 10, 2009
Girl... INTERRUPTED
"Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? Maybe I was just crazy. Maybe it was the 60's. Or maybe I was just a girl...interrupted."
As the title implies, "Girl, Interrupted," many young girls and women are interrupted by societal expectations. If somehow we do not fit the "norms" there must be something wrong with us, maybe even a mental illness. These diagnoses are quickly placed on people, rather than considering the immense amount of stress and pressure they feel from the world around them. Girls, in my opinion, are especially interrupted from living ordinary lives. For Susanna, the pressures from home and school brought about a sense of insanity and even a suicide attempt. Her life was put on hold for two years until she was able to step back from society and redefine herself. In my opinion, everyone needs to take some time to themselves in order to escape insanity. Maybe even in a room of one's own...
Wednesday, February 4, 2009
When I finished reading Charlotte Perkins Gilman's "The Yellow Wallpaper" many thoughts were going through my head. Initially though, I was very disturbed by the narrator and her obsession with the yellow wallpaper. How could someones entire life be controlled by something so simple as wallpaper? Her every minute and thought was centralized around the wallpaper and its hideous pattern. As the story progresses, Gilman begins to personify the paper and she even envisions a woman trapped behind the paper. With additional reading, I attained a better grasp of what was going on with Gilman herself as well as the historical context in which Gilman was subject to while writing this work. Historically women, as a whole, were still considered to be inferior. I saw this shown by the secrecy of the narrators writing as well as how she was totally controlled by her husband. When I learned about the severe nervous condition that Gilman was suffering, I began to think that the troubled narrator is a reflection of Gilman herself. Is this really a piece of fiction, or is this a medium in which Gilman could share her story? By the end of the text, I really felt that the feelings the narrator struggles with are also fears of Gilman.
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